Showing posts with label entrance. Show all posts
Showing posts with label entrance. Show all posts

Friday, 6 January 2017

Transparency makes a difference

Transparency makes a difference 

It's fun going back to a building one used to know after a refurbishment; it's even more fun to visit during the refurbishment. It used to be an odd building, a contradictory combination of generous, sunny and light communal spaces and small, dark, almost claustrophobic office wings. Now the former VROM ministry building by Jan Hoogstad at Rijnstraat 8, The Hague, is about to begin its second lease of life, as the renovation on the basis of a design by OMA (in collaboration with Hoogstad) is almost complete. When the contractor organised a visiting day, I couldn't miss the opportunity.



Quite a lot has changed (including the vertical circulation cores) but nevertheless many features of the original design remain recognisable. There's lots of glass everywhere; almost all internal partitions are now transparent, affording some daylight even in deep in the building as well as nice views of the city centre around (not that everything you see is necessarily beautiful) but these will be probably reduced once people and their stuff clutter up the building (by the way, lots of furniture is already in the building, collecting dust from the building activities - some logistic cockup?).




Strangely, the new stairs have a rather shallow tread. I wonder if it's according to building regulations and even more when architects will learn to design stairs without blindly following established nonsense like Blondel's formula and use their own eyes and feet to measure things. My 46-size shoes don't fit on these treads.



One thing I don't miss is the old radiators, which used to hang at illogical positions behind the curtain walls (even at eye height or higher); everything is now hidden in the floor or the ceiling. Thankfully, the designers appear to have added a couple of other jokes.





Leaving the building I'm struck by the questionable entrance, especially the relative position of the two sets of revolving doors. I'll have to come back once the building is in operation to see how it goes.



Thursday, 29 December 2016

Rituals of access

Rituals of access

In Andrea Camilleri's Paper Moon, following frustrating experience with a secure bank entrance, inspector Montalbano considers writing a text on the ceremony of access and how it is intended to make you feel secure while there is no guarantee that you actually are. This is something more and more people realising with various security measures, including the demanding ones at airports. However, such rituals predate current security issues and are built in the affordances many entrances. For example, revolving doors are intended to restrict air flow and reduce drafts between indoors and outdoors. They also regulate pedestrian flow, making us slow down and go in or out in small numbers, ensuring that we've paid a ticket or that we don't go in the wrong direction (as with turnstiles). They manage to constrain our behaviour so effectively that we seldom rebel against their tyranny; we accept them as part of the experience and even welcome the adjustment they offer. When I see unobtrusive yet major design successes, I realise how natural the built environment can be.